
About
Peter J Holland is a theatre and arts producer with over 15 years experience in the subsidised and commercial sector and executive producer of Rebel productions.
Enjoying the opportunities of freelance work, Peter has recently worked with production company Wessex Grove, Factory International and the Roald Dahl Story Company to strategise and develop their portfolio of titles for the stage, Peter’s career has taken him across the world developing and producing work for the stage including the WhatsOnStage Award nominated new musical ‘Bloody Elle’ and online with work including podcast docs-series’s ‘Passing Out’ and digital captures of stage work.
Before joining the team at Roald Dahl, Peter worked with ETT as their producer working with Artistic Director of Richard Twyman and Executive Producer Sophie Scull. Peter produced the UK National Tour of The Importance of Being Earnest directed by Denzel Westley-Sanderson, earning over 8 nominations in various awards including Excellence in touring at the UK Theatre Awards and oversaw the remount of the UK Theatre Awards Best New Play winner, Mugabe My Dad and Me, written and performed by Tonderai Munyevu. Peter is proud to have worked for ETT who during his time with the organisation picked up the UK Theatre Excellence in Inclusivity Award in autumn 2022.
Prior to ETT Peter produced for Internationally renowned physical theatre company Frantic Assembly and produced a season of work to celebrate the company’s 25th Anniversary including the brand new production of I Think We Are Alone by Sally Abbott and Co-directed by Kathy Burke and Scott Graham. Peter was also the producer at the Lyric Hammersmith in West London working on productions such as Tipping the Velvet by Laura Wade, the Filter Co-production of A Midsummer Night’s Dream and the UK and Australian premiere of TERROR by Ferdinand Von Schirach. Peter also proudly produced the annual Pantomime at the Lyric Hammersmith for four years.
Previous to the Lyric, Peter was the General Manager for the Birmingham Stage Company in London working on UK touring productions such as James and the Giant Peach, Phillip Pullman’s The Firework Makers Daughter, George’s Marvellous Medicine, and the hugely popular Horrible Histories productions. Peter is also responsible for securing the rights for the Olivier Award Nominated production of David Walliam’s Gangsta Granny which recently completed a two year tour and a West End residency at the Garrick Theatre.
Peter has extensive knowledge of producing and production management of UK and international touring having overseen productions to New York, Hong Kong, Singapore, Dubai, Bahrain, Ireland and Australia.
Peter is a proud to serve as Vice Chair on the board of Zest Theatre Company who were recently invited to join the Arts Council National Portfolio, securing substantial annual funding for the next three years and in 2019 Peter was recently invited to join the Fellowship of the Royal Society of Arts.
Rebel is Peter’s production company for individual projects spanning from theatre to live events. The company was formally registered in 2019 and is currently developing new projects and establishing new audiences.
“One of the most stylish Wilde’s ever staged”

Current Work
the f**gots and their friends between revolutions - opera
Commissioned by Factory International, Festival d’Aix-en-Provence, Bregenzer Festspiele, the Southbank Centre and NYU Skirball in association with Holland Festival.
Recruited by Factory International i’m proud to have produced and project managed the remount of this production, reunited the truly international cast of performers for the presentation at the Southbank Centre to sold out audiences in the Queen Elizabeth Hall.
Based on the 1977 cult book by Larry Mitchell and Ned Asta, The Faggots and Their Friends Between Revolutions is a music theatre piece that reimagines the history of the world through a queer lens.
In this musical adaptation by composer Philip Venables and director Ted Huffman, the original text is taken on a kaleidoscopic journey by a cast of actors, singers and musicians.
Cast includes: Kerry Bursey, Jacob Garside, Kit Green, Conor Gricmanis, Deepa Johnny, Mariamielle Lamagat, Eric Lamb, Themba Mvula, Yshani Perinpanayagam, Meriel Price, Collin Shay, Dan Shelvey, Joy Smith, Sally Swanson and Yandass
tHE IMPORTANCE OF BEING EARNEST
An ETT, Leeds Playhouse and Rose Theatre production, supported by a grant from the Royal Theatrical Support Trust.
Touring this autumn, i’m delighted to lead produce The Importance of Being Earnest, directed by RTST Sir Peter Hall Director Award Winner, Denzel Westley-Sanderson. Designed by Lily Arnold, Lighting by Zoe Spurr, Sound by Beth Duke with Movement and Choreography by Tinovimbanashe Sibanda and Dramaturgy by Phillippe Cato.
The Tour came to a close at the end of 2023 but has recently been nominated for numerous notations and awards including
Winner: Abiola Owokoniran - Best Performance - Iain Charleston Award
Winner: Best Non-Binary Performance - Phoebe Campbell - The Black British Theatre Awards
Winner: Excellence in Touring - UK Theatre Awards
Nomination: Best Play - The Black British Theatre Awards
Nomination: Best Director - Denzel Westley Sanderson - The Black British Theatre Awards
Nomination: Best Movement - Tinovimbanashe Sibanda - The Black British Theatre Awards
Nomination: LGBT+ Champion - Daniel Jacob (Vinegar Strokes)
Nomination: Best Director - The Stage Debut Awards
Cast includes
Justice Ritchie, Abiola Owokoniran, Adele James, Anita Reynolds, Joanne Henry, Phoebe Campbell, Valentine Hanson and Daniel Jacob (Vinegar Strokes).
The production marked a happy return to touring theatre after a long hiatus due to covid reaching Leeds Playhouse, Cambridge Arts Theatre, New Wolsey, Liverpool Playhouse, Northern Stage and Rose Theatre, Kingston.
LEeds university teaching fellow
Following recent work with students of the School of Performance and Cultural Industries at Leeds University and was delighted to been formally invited to join the school as Visiting Teaching Fellow with an emphasis on educating students on genuine career pathways in the arts and working with the University to formulate a scheme of work for arts careers. At a time when careers within the industry are deemed a risk I look forward to helping students navigate their journey into forming their careers and reaching their potential.
“I don’t think I’ve ever had as much fun
watching one of Shakespeare’s plays”

Featured production portfolio.
Tipping the Velvet: Adapted by Laura Wade
For: Lyric Hammersmith & Edinburgh Lyceum
Director: Lyndsey Turner
Designer: Lizzie Clachan
Lighting: Jon Clark
Sound: Nick Manning
Choreography: Alistair David
Large props: Hayley Gibbs
Casting: Julia Horan
Terror by Ferdinand Von Schirach
For: Lyric Hammersmith and Brisbane Festival, Australia
Director: Sean Holmes
Designer: Anna Fleischle
Costume: Loren Elstein
Lighting: Joshua Carr
Sound: Nick Manning
Casting: Stuart Burt
Jack and the Beanstalk by Joel Horwood
For: Lyric Hammersmith
Director: Sean Holmes and Jude Christian
Designer: Jean Chan
Lighting: Tim Deiling
Composer: Corin Buckeridge
Choreographer: Lainie Baird
Casting: Will Burton CDG
Horrible Histories (various titles)
For: The Birmingham Stage Company
Garrick Theatre / UK tour / Middle East / Australia / Hong Kong / Singapore
Director: Neal Foster / Phil Clark
Designer: Jacqueline Trousdale
Lighting: Jason Taylor
Sound: Nick Sagar
Props: Hayley Gibbs
The Importance of Being earnest
For: ETT co-produced with Leeds Playhouse, Rose Theatre.
Director: Denzel Westley-Sanderson
Dramaturg: Phillippe Cato
Designer: Lily Arnold
Lighting: Zoe Spurr
Sound: Beth Duke
Casting Bryony Taylor-jarvis
Movement and Choreography: Tinovimbanashe Sibanda
Assistant Director: Becca Chadder
Frantic 25th : National Theatre River Stage take over
For: Frantic Assembly in association with the National Theatre.
Artists include: Frantic Assembly.
The Frantic Assembly practitioners
The Chorus of Others
Luke Brown Dance Co.
Declan Bennett
Stefan Janik
Lewis Griffith
Erased Tapes
Honey Moon
I Think We Are Alone by Sally Abbott
For: Frantic Assembly. Co-produced with Theatre Royal Plymouth and Leicester Curve. National UK Tour.
Director: Kathy Burke and Scott Graham
Designer: Morgan Large
Lighting: Paul Keogan
Sound: Ella Wahlstrom
Casting: Will Burton
Associate Director: Jessica Williams
bloody elle - a gig musical
For: Rebel Productions and The Royal Exchange Theatre, Manchester
Written performed by: Lauryn Redding
Director: Bryony Shanahan
Design: Amanda Stoodley
Lighting by: Mark Distin
Sound and Composition: Alexandra Faye-Braithwaite
Movement Director: Yandass Ndlovu
Lyric Hammersmith Reopening event & Development Gala
For: Lyric Hammersmith
Large scale event for the reopening of the Lyric Hammersmith following a £20 Million pound capital redevelopment build project.
James and the Giant Peach adapted by David Wood
For: Birmingham Stage (UK Tour)
Director: Nikolai Foster
Design: Colin Richmond
Lighting: James Whiteside
Sound: Seb Frost
Composer: Grant Olding
Choreographer: Drew McOnie
The Unreturning by Anna Jordan
For: Frantic Assembly
Director: Neil Bettles
Designer: Andrzej Goulding
Lighting: Zoe Spurr
Sound: Pete Malkin
Costume: Lily Arnold
A Midsummer Night’s Dream
For: Lyric Hammersmith and Filter Theatre Company
Lyric Hammersmith / Australia / Ireland / UK Tour
Director: Sean Holmes
Designer: Hyemi Shin
Lighting: Oliver Fenwick
Sound and Original music: Chris Branch and Tom Haines
++ BEST FAMILY PRODUCTION NOMINATION - OLIVIER AWARDS - GANGSTA GRANNY ++ BEST FAMILY SEASON - LITTLE LYRIC - UK YOUNG THEATRE AWARDS ++ whatsonstage award nomination - Bloody Elle ++ winner - best new play UK THEATRE AWARDS - MUGABE MY DAD AND ME ++ WINNER - EXCELLENCE IN TOURING - UK THEATRE AWARDS ++ 6 BBTA NOMINATIONS - IMPORTANCE OF BEING EARNEST ++
++ BEST FAMILY PRODUCTION NOMINATION - OLIVIER AWARDS - GANGSTA GRANNY ++ BEST FAMILY SEASON - LITTLE LYRIC - UK YOUNG THEATRE AWARDS ++ whatsonstage award nomination - Bloody Elle ++ winner - best new play UK THEATRE AWARDS - MUGABE MY DAD AND ME ++ WINNER - EXCELLENCE IN TOURING - UK THEATRE AWARDS ++ 6 BBTA NOMINATIONS - IMPORTANCE OF BEING EARNEST ++
- Entire works -
Vicious Women, Leeds Carriageworks - Horrible Science, UK Tour - Charlottes Web, Derby Playhouse - Horrible Histories Barmy Britain, UK Tour/Sydney Opera House/ West End - The Jungle Book, UK Tour - James and the Giant Peach, UK Tour - Horrible Histories (Awful Egyptians, Ruthless Romans, Terrible Tudors, Vile Victorians, Kensington Palace), Birmingham Stage Company - Skellig, New Victory NYC - Bagpuss, Soho Theatre, Tom’s Midnight Garden, UK Tour - George’s Marvellous Medicine, UK Tour - David Walliams’ Gangsta Granny, UK Tour - Tipping the Velvet, Lyric Hammersmith - Herons, Lyric Hammersmith - Bugsy Malone, Lyric Hammersmith - Shopping and f***ing, Lyric Hammersmith - City of Glass, 59 Productions - The Seagull, The Lyric Hammersmith - Things I Know to be True, Frantic Assembly - Jubilee, Lyric Hammersmith - The Plough and the Stars, The Abbey Theatre - Dick Whittington, Lyric Hammersmith - Leave 2 Remain, Lyric Hammersmith - Aladdin, Lyric Hammersmith - Cinderella, Lyric Hammersmith - Jack and the Beanstalk, Lyric Hammersmith - Raymond Briggs’ Father Christmas Lyric/MAC/Hong Kong - Secret Theatre, Lyric Hammersmith - A Midsummer Night’s Dream, Filter/Lyric/UK Tour/Australia/Dublin - Fatherland, Frantic Assembly - I Think We Are Alone, Frantic Assembly - Sometimes Thinking, Frantic Assembly - The Unreturning, Frantic Assembly - Bloody Elle - A Gig Musical, Rebel/Manchester Royal Exchange - The Importance of Being Earnest, UK Tour - Mugabe, My Dad and Me, UK Tour/Brixton House - The Cherry Orchard, The Yard/HOME - 4:48 Psychosis, Royal Opera House/Lyric - Pleasure, Royal Opera House/Lyric - Fantastic Mr Fox, UK Tour - Seventeen, Lyric Hammersmith - Monochrome Man, ZooCo - Citizen Squid, Puppets with Guts - Happy Meal, Edinburgh - The Enormous Crocodile, Leeds Playhouse - The F**gots and their friends between revolutions, Factory International/Southbank Centre.
“has any company achieved a more joyful, purposeful and entertaining blend of popular culture and heartfelt political theatre?”
